What Time Off?

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I was asked to make a Day of the Dead-themed Victorian walking suit for a show that will spend two years traveling to various museums. For the first time in my artistic life, I have not only failed to submit my piece early, I have missed the initial deadlines. Inspiration showed up late in this case, but I think it was worth it. Initially I made a Victorian-esque skirt from some of my extensive collection of Our Lady of Guadalupe fabrics. Then it all ground to halt. Digging around in a cedar chest filled with -Ray’s things for a class I was teaching on the topic of DIY-clothing (upcycling, transforming, etc) I found a jacket that I had made for her from two vintage blouses that featured an appliqued skull on the back.

In looking at that, and some other things I had made for her, I realized I was ready to let these things out of the silent tomb of the cedar chest. I wanted to transform them, then release the back into the world. I took the tshirt she sent me with the logo of their band, which I designed, and cut the logo out, hand colored it, and hand appliqued it onto the skull jacket:

Victorian Altar Process 1Victorian Altar Process 2Victorian Altar Process 3

Then I appliqued elements from a gorgeous quilter cotton that was full of Mexican folk symbols (and some skull fabric leftover from my purse-making days) as well as drawing root elements by hand with alcohol-based markers and a Tee Juice marker.

Victorian Altar Process 5Victorian Altar Process 4

Next, I drew in a cat skull with bony wing elements and painted them gold.

Victorian Altar Process 7

Then I decided that everything needed embroidery. Everything.

Victorian Altar Process 8Victorian Altar Process 9Victorian Altar Process 10Victorian Altar Process 11

Next  came the bustle. I used as the bottom layer a capelet I had made for -Ray from a vintage apron, that included hand made flowers and a portrait I drew of her sewn into the pocket. Over that are layers of a vintage linen with crocheted corners, and the top layer is a rotten Victorian collar. For height I made two sort of bum rolls out of related fabrics. Then I drew, appliqued, embroidered and painted everything.

Victorian Altar Process 13Victorian Altar Process 14

I will save the rest of the photos for a second post.

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Since that’s not enough to do, I am also volunteering as the Costume Designer for a production of Chicago that a good friend and co-worker is co-directing. The concept is that the show is being put on by a group of convicts in a modern-day women’s prison (shades of OITNB). Thus, they are all dressed in gray prison clothing which the actors have to try to make look sexy without a lot of options to remake things. If you doubt this possibility, think back to being in high school and shortening your skirt by rolling the waistband after you went to school, or tying your shirt so that some midriff showed. It’s working quite well. Also, though, a lot of their costume elements need to look like they made them from a limited amount of available materials, so I have now gotten very good at making fedoras and boaters that look like they are made from food wrappers and boxes:

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There’s also a derby hat covered in Dum-Dum wrappers for Amos as well as a bow tie and lapel flower of the same. The third boater, not pictured, is a Cheese-Its theme.

We go into Tech this week, and then, possibly, I will reclaim my summer break and actually get to relax and enjoy some of it.

Famous last words, that.

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